Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price


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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other from the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for that unrest? Katniss. And what's worse, President Snow has caused it to be clear that no person else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to become one of the most brought up books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended as being a trilogy. Did it actually end the way you planned it from your beginning?

A: Very much so. While I did not know every detail, of course, the arc of the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the entire writing process.

Q: We understand you worked on the initial screenplay to get a film to be based on The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay?

A: There was several significant differences. Time, for starters. When you're adapting a novel into a two-hour movie you simply can't take everything with you. The story has being condensed to suit the brand new form. Then there's the question of methods best to adopt a novel told in the first person and provides tense and transform it in a satisfying dramatic experience. In the novel, you never leave Katniss for a second and so are privy to any any of her thoughts so you may need a way to dramatize her inner world and to make it possible for other characters to exist outside her company. Finally, there is the challenge of how you can present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lots of things are acceptable over a page that couldn't survive on the screen. So how certain moments are depicted could eventually be within the director's hands.

Q: Are you currently in a position to consider future projects while working on The Hunger Games, or are you immersed in the world you're currently creating so fully it is simply too hard to take into consideration new ideas?

A: We have a number of seeds of ideas floating around during my head but--given very much of my focus remains on The Hunger Games--it is going to be awhile before one fully emerges i can commence to develop it.

Q: The Hunger Games is a yearly televised event by which one boy and one girl from each of the twelve districts is forced to participate in a fight-to-the-death on live TV. What can you think the selling point of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they have very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I've found very disturbing. There's also the possibility for desensitizing the audience, to ensure whenever they see real tragedy playing out on, say, the news, it won't have the impact it should.

Q: Should you were made to compete within the Hunger Games, what can you think that your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope could be to acquire hold of a rapier if there were one available. But the facts is I'd probably get in relation to a four in Training.

Q: What can you hope readers will come away with once they read The Hunger Games trilogy?

A: Questions about how precisely elements with the books could possibly be relevant within their own lives. And, when they are disturbing, what you might do about them.

Q: What were some of one's favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but on this occasion it can be for world control. While it is really a clever twist for the original plot, it means that there's less focus around the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in a less vibrant Katniss by displaying despair both at those she feels accountable for killing and and also at her motives and choices. This is definitely an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels and also the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are very well evidenced in his voice, which goes from rage to puzzlement to a unsure return to sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and different challenges of every with the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.






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